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IMMERSIVE AUDIO#1

A sound experience that surrounds the listener, creating a three-dimensional auditory environment.

INTERACTIVE SOUND DESIGN#2

Designing soundscapes that respond to audience actions, enhancing engagement and experience.

SOUND INSTALLATION#3

An artistic setup where sound is the primary medium, often integrated into physical spaces.

EXHIBITION DESIGN#4

The process of creating engaging environments for displaying art, incorporating spatial and sensory elements.

AUDIENCE ENGAGEMENT#5

Strategies aimed at involving visitors actively in an experience, enhancing their connection with the art.

AMBISONICS#6

A full-sphere surround sound technique that captures and reproduces sound from all directions.

SPATIAL AUDIO#7

Audio technology that creates a sense of space and dimension, allowing sounds to be perceived as coming from specific locations.

THEMATIC NARRATIVE#8

A storyline or concept that guides the audio experience, aligning sound with the exhibit's artistic vision.

SOUNDSCAPE#9

A sonic environment created by combining various sounds to evoke a specific atmosphere or emotion.

LOGISTICAL PLANNING#10

Organizing the practical aspects of an installation, including equipment setup and spatial arrangements.

COLLABORATION#11

Working with other professionals, such as curators and technology developers, to enhance the installation process.

ACOUSTIC ASSESSMENT#12

Evaluating a space's sound characteristics to optimize audio performance in installations.

INTERACTIVITY#13

The quality of an experience that allows audience input, altering the sound based on their actions.

PROTOTYPING#14

Creating preliminary versions of soundscapes or installations to test concepts and gather feedback.

INSTALLATION PLANS#15

Detailed documents outlining the setup, equipment, and procedures for an audio installation.

FEEDBACK MECHANISMS#16

Tools or methods used to gather audience responses and improve future engagements.

SOUND DESIGN SOFTWARE#17

Digital tools used for composing, editing, and manipulating audio for installations.

TECHNICAL SPECIFICATION#18

A comprehensive document detailing the technical requirements and functionalities of the audio installation.

PITCHING IDEAS#19

Presenting concepts to stakeholders to gain support and resources for the installation.

DOCUMENTATION#20

Recording the process and outcomes of the installation for evaluation and future reference.

REFLECTIVE JOURNALS#21

Personal logs where students assess their learning experiences and project development.

NETWORKING#22

Building professional relationships within the sound art and exhibition design communities.

INSTALLATION TEST RUN#23

A trial setup of the audio installation to ensure all components function correctly before the public launch.

CROSS-DISCIPLINARY COLLABORATION#24

Cooperating with professionals from various fields to enrich the artistic and technical aspects of the installation.

AUDIENCE IMPACT RESEARCH#25

Studying how sound installations affect visitor emotions and behaviors to enhance engagement strategies.